“I had to see our solicitor one morning,” he explained, “when I was secretary to a miners’ union up north. A point had arisen concerning the legality of certain payments. It was a matter of vast importance to us; but he didn’t seem to be taking any interest, and suddenly he jumped up. ‘I’m sorry, Phillips,’ he said, ‘but I’ve got a big trouble of my own on at home—I guess you know what—and I don’t seem to care a damn about yours. You’d better see Delauny, if you’re in a hurry.’ And I did.” And there rose before her the vision of that other Garden of Gethsemane with, below it, the soft lights of the city shining through the trees; and above, clear against the starlit sky, the cold, dark cross.!

“It’s you women that make war,” he continued. “Oh, I don’t mean that you do it on purpose, but it’s in your blood. It comes from the days when to live it was needful to kill. When a man who was swift and strong to kill was the only thing that could save a woman and her brood. Every other man that crept towards them through the grass was an enemy, and her only hope was that her man might kill him, while she watched and waited. And later came the tribe; and instead of the one man creeping through the grass, the everlasting warfare was against all other tribes. So you loved only the men ever ready and willing to fight, lest you and your children should be carried into slavery: then it was the only way. You brought up your boys to be fighters. You told them stories of their gallant sires. You sang to them the songs of battle: the glory of killing and of conquering. You have never unlearnt the lesson. Man has learnt comradeship—would have travelled further but for you. But woman is still primitive. She would still have her man the hater and the killer. To the woman the world has never changed.” Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.

He gave her his address in Paris where he was returning almost immediately. They sat on the stone step of the fountain, where they were sheltered from the wind; and she buttoned his long coat about him. “I don’t see it,” said Joan, with decision.